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What's New April 12, 2008 Hello and thanks for stopping by! The guest artists over the last few years have been stellar. We’ve had world class singers like Wet Willie’s Jimmy Hall and world class guitarists like King Crimson’s Adrian Belew. From country chanteuse Suzy Bogguss to Dez Dickerson from Prince’s Revolution, it’s a real cross section of our community. We’ve done Dylan albums with Al Kooper and Charlie McCoy and Stones records with Bobby Keys. It’s so amazing to look over your shoulder and see the guy who played on the original record. I’d like to proudly add that our band has pulled it all off with skill and heart. It’s a love thing. What started off as notion for some fun has turned into a real musical event every few months. I’ve been promising a new record for awhile and I’ve still been writing between all the different projects I get to be a part of. Besides The Long Players, I still play in First Amendment Center’s Freedom Sings program which is coming up on our tenth anniversary this year. And I still have the “best real job ever” down at The Country Music Hall of Fame working in their archive with the musical instruments. It’s been busy to say the least. What I was getting at is that I’d like to emphasize that I have not quit recording and have been in the studio working towards another album. I’m still writing songs. Recent co-writers include Bill DeMain (from Swan Dive), Mark Olson (The Jayhawks), English songwriter John Peppard and some through-the-mail writing with Jamie Hoover of The Spongetones. Their new album, called Too Clever By Half is a real winner. Of course, with THREE co-written songs on there I might be prejudiced. Both Jamie and The Spongetones have My Space pages as opposed to websites that are easy to find. Another project that I feel compelled to plug here is the new album by Nashville’s Aqua-Velvet. Specializing in instrumental exotica, their new album, “ A Splash of Aqua Velvet”, has some cameo vocals from Brad Jones, Daniel Tashian and myself on the Brian Wilson classic, Warmth of the Sun. Jim Hoke and Randy Leago, who lead the band, are frequent sidemen with The Long Players and both have incredible résumé’s that reflect their strong talents. Anyway, check out our Beach Boy bit on this Amazon link and then support their cause. http://www.amazon.com/Splash-Aqua-Velvet/dp/B000WCBR58 Anyone who knows me, has most likely found out what a fan of The Kinks I am. I knew my luck in this life wasn’t completely spent when I got called to be a guest guitarist on Ray Davies most recent album, “Working Man’s Café”. I played on a track called The Real World and I’d readily recommend the album.. even to the most Kasual of Kinks fans… I’ve never stopped playing songwriters nights here in Nashville and I’ve been somewhat of a regular at The Bluebird Café for many years. Speaking of Beth, she’s hosting one of her songwriter workshops in a few weeks and I’m one of her guests. Here’s a poster. She just got back from the UK where she got to play at The Royal Albert Hall with Kris Kristofferson. Now that’s a good day. Speaking of good days, I had ,what I would call, one amazing day, not too long ago over at The Country Music Hall of Fame and Museum. I’m in the archive working at my desk seemingly transfixed by the computer but ALSO picking up a Martin D-28 that Marty Stuart had brought in as a donation. It was calling me and I was listening.. then playing it. Then putting it back down and going back to work. Then picking it up again because it had such a great sound. The interesting part of the story is that it had belonged to Lester Flatt before Marty had it. If you’re a Flatt and Scruggs fan, you know it. That one. I had polished it up and re-strung it with heavy gauge strings (as Lester would have) but had it tuned pretty far down so those heavy gauges wouldn’t stress the neck, It had this deep resonance and just sounded amazing. I still put together and host the Nashville Cats series down at the Hall of Fame, a program that, every few months, takes a session player/sideman and celebrates their career with 90 minutes of career recap that includes audio, video, sometimes a live performance. It’s great fun for me and these guys certainly deserve the attention. So far the guests have been Lloyd Green, Charlie McCoy, Don Helms, Harold Bradley, Pig Robbins, Bob Moore, Ray Edenton and Jerry Kennedy. Reggie Young is the next guest on May 3th. Here’s a link to a streaming video of our last program with Jerry Kennedy. Speaking of legendary musicians, another fun thing I’ve gotten to do recently is play a couple of shows with my friend Peter Cooper who is known in Nashville as a music journalist but increasingly as a fine songwriter/performer. I played guitar on Peter’s new album Mission Door and we’ve done a couple of shows. Legendary steel guitarist (and the very first musician who agreed to be my guest on the Nashville Cats series) Lloyd Green co-produced Peter’s record and plays fantastic stuff all over it. Here’s a link to Peter’s My Space page and you can hear some for yourself. I’ve had some feedback that it always takes me a long time between albums. I can’t deny that’s just the way it’s always seemed to go. For those who would like to look into some of the out-takes and demos I’ve collected over the years, I’ve made some of that available for the “truly interested”. Here’s a link. BillAugust 25, 2007Hey Thanks for dropping in. It’s been several (give or take) months since I updated this site last but that’s because I’ve been kind of busy and busy is good. I have several things I want to plug and yak about in this update but I’ll probably go on a little about the first thing on the list. In my modest musical career, I’ve had more than the usual share of moments where I have to stop and think, “How did I get here?”. Like David Byrne’s lyric in “Once in a Lifetime”.. “My God..what have I done?!?”. In the last update, I tried to casually drop in the information that I got to play on Ray Davies record in progress. As a fan as well as a musician that was huge for me because he’s always been great and still is. Huh? No, I’m not kidding! I get to play complete albums from front to back with regularity in The Long Players and it’s always a fabulous time with a great band. However, joining one of my FAVORITE bands onstage to do The Beatles Sgt. Pepper’s Lonely Hearts Club Band with an orchestra at the F’n Hollywood Bowl was a surreal experience. With two sold-out nights (August 10-11) and guest singers that included Aimee Mann, Joan Osborne, Ian Ball from Gomez, Rob Laufer and Al Jourensen from Ministry, to say it was fun is a complete understatement. Here’s a picture from the first half of the evening. After an introductory Beatles medley, Edwin the conductor introduced Cheap Trick and we come on and play Cheap Trick’s version of Magical Mystery Tour and it simply blazes. I’m sitting down as is the orchestra but I’m still playing pretty loudly through a Vox AC-30. I sang the low-harmonies while Rick Nielsen did the high ones. It sounds like Cheap Trick and it was. Rick, Robin, Tom and Bun E. All the original members except that I’m in the band. I’m totally enjoying being there but still very conscious I have a job to do. Sgt. Pepper was not a record made for a single guitarist to do without leaving out parts. Hence, my gig. Fill in the blanks. Sideman-itis doesn’t allow for complete immersion in the moment :) I know Danny Louis from Govt. Mule (who was the other sideman playing keys) and I were both in that place where you know you got a job to do but you’re still having the time of your life. Pepper is saved for the second set so the first set is a series of Beatles songs with the guest singers and the orchestra. It was all amazingly good considering how quickly the whole thing came together. Regarding the picture above. Irony of ironies, I’m playing Robin Zander’s acoustic Martin 12-string while Al and Sin from Ministry are leading Cheap Trick and orchestra through an ultra-heavy She’s So Heavy. Al liked the baroque feel. In my monitor, it was like I was playing heavy-metal-harpsichord. Favorite moments? There were plenty. I’m assuming you’ll know the songs I’m talking about here. I got to trade the solos at the end of The End from Abbey Road with Rick and Robin. I stood up for that part :) After the intermission and we came back to play Pepper, I switched out between electric and acoustic and sang lots of background vocals. I really loved it when it was (vocally) Robin and me on the section “I used to be cruel to my woman..” on “It’s Getting Better”. I was on acoustic on Day in the Life and the end with the orchestra was especially amazing. The encore of All You Need is Love with all the guest vocalists coming out to sing put a lump in my throat. Add in the fact that a sold-out crowd there is around 17,000, it was a real trip with the whole place singing along. The only part I didn’t get to play on during Pepper was Rob Laufer’s fantastic version of “Within You Without You” with the Indian musicians. Okay, Bragging Billy, good for you. Glad you had fun. Time to come down off that cloud. But I’m not finished. Cheap Trick decided that since they had learned the songs and because The Beatles/Abbey Road engineer Geoff Emerick had flown in to mix the show; why not re-record these songs? I know I, for one, would love to hear Cheap Trick versions. So following the weekend gigs, I went in with the guys to help in the studio as well. This was in Capitol’s studio in the basement of their LA Tower, the same studio where Frank Sinatra, Dean Martin, Buck Owens, Merle Haggard, Nat King Cole, Judy Garland, Paul McCartney and many others have made historically significant records. That studio experience was, for me, just as good, if not better, than the live experience because I got to work with Geoff and the guys in a controlled environment where your chops and musicality are under the microscope. It was a gas. Thank-you, Cheap Trick. So what ELSE is new? I’ve still been writing songs. Playing songwriters-in-the-round shows at the world-famous-but still my local bar, The Bluebird Café. No, I still don’t have a new record ready but please check out my Bill For Sale link for some new cd’rs I’ve made available for purchase. If you’ve looked over this link before, you can tell that the home demos and studio out-takes far exceed my official releases. If you like what I do already, I think you might find stuff here to enjoy as well. One of the CD-rs is my out-of print import EP called Confidence is High but I added on another TEN songs to make it a fifteen song album. There’s also another Home Recordings/ Off the Shelf Vol. 2 collection. Please, check it out. Here's a link to find out more about a tribute record I took part in recently.
Jimmy Guterman’s labor of love has been putting out a tribute record to The Clash’s Sandinista. My old singing and writing partner, Radney Foster, and I just recently sang as guests on Keith Anderson’s new album as he has re-cut a version of our hit, Crazy Over You. It’s been twenty years since it hit the top of (most) country charts and it was fun hearing a new take on it. Keith is a very nice guy and sings great. Jeffery Steele is producing. Speaking of the country world, Radney and I are scheduled to be on the radio program, American Country Countdown with Kix Brooks this coming Tuesday. We’ll be taping it Tuesday. It may go out live. It may not. I should know these things. But I don’t. Great. Hope you can find it. No help from me :) The Long Players have TWO shows lined up for this Fall/Winter. November 10th, 2007, we will be back at The Mercy Lounge in Nashville to do Fleetwood Mac’s Rumour’s album. That should be a fun night. Bringing back the estrogen! We’ll try and kick into some earlier Mac during the encore so we don’t leave the Peter Green era completely overlooked. Here’s a set list and a couple of photo collages done by our friend Curtis King from the night of the Spiders. The Long Players perform David Bowie’s 1972 album The Rise and Fall of Ziggy Stardust THE MERCY LOUNGE JUNE 15, 20079:30pm / $15.00 coverProceeds in Part to Benefit The Tennessee Environmental Council Five Years : Melissa Mathes The Long Players are:
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1. Like A Rolling Stone (Dan Baird) 2. Tombstone Blues (Chuck Mead from BR 549) 3. It Takes A Lot To Laugh, It Takes A Train To Cry (Al Kooper / The Blues Project/ Blood, Sweat & Tears ) 4. From A Buick 6 (Jason Ringenberg from The Nashville Scorchers) 5. Ballad Of A Thin Man (Mark Volman / Turtle / Mother/Flo) 6. Queen Jane Approximately (Dan Baird from The Georgia Satellites & The Yahoos) 7. Highway 61 Revisited (John Cowan and Pat Flynn from New Grass Revival) 8. Just Like Tom Thumb's Blues (Tracy Nelson) 9. Desolation Row (Heath Haynes) |
So what else is new? I’m still working as Stringed Instrument Curator at The Country Music Hall of Fame and Museum and still enjoying that job immensely. There’s even an article on me in the new CMA Close Up Magazine. It’s not on the magazine shelves.. it’s an industry magazine for CMA members. Nevertheless, a nice article about my relatively new position. Besides working in the archive, I’ve continued hosting and putting together the Nashville Cats/A Celebration of Nashville Studio Musicians public programs. Famed bassist Bob Moore was our last guest back in January and Hargus “Pig” Robbins is our next guest on May 18th. We do these public programs in the Ford Theater there in the Hall of Fame on Saturday afternoons. They last for about 90 minutes. I interview the guest and we go through their careers in a chronological fashion using audio, video and even some live performance.
Here’s a link to read about the upcoming program :
http://www.countrymusichalloffame.com/site/news_detail.aspx?cid=2027
I’m still playing a lot of solo songwriter nights here in Nashville. Usually the songwriter in-the-round shows at the famed Bluebird Café. I have two this week. Check into the Concerts link at the top of the page for info.
I always say that I keep songwriting whether I plan to or not and that’s a very true statement. However, my work schedule combined with all the other projects I’ve been doing has affected the co-writing scheduling. I do get around to it but I’ve been enjoying writing long distance recently. Jamie Hoover from The Spongetones and I did a record together a few years back called Paparazzi that stemmed from the bulk of co-written songs we had. I’m happy to report that we’ve written a few more in recent months. I also wrote a song with Chris Church whose music I really love.
There’s a band from my old hometown of Bowling Green, Kentucky called The Secret that I’ve been mentioning in these updates for the last year or so. We’ve been working on a record together and I’m happy to report that we’re very close to being finished. The album is called “El Campion” and they wrote most of the songs themselves. I did co-write one song and I produced the record. I love what they do. I wouldn’t have spent the last year and a half working with them otherwise! It’s definitely rock’n’roll. Great hooks. Powerful arrangements. They play hard. They’ve been on an MTV reality show called “My Super Sweet Sixteenth Birthday” already and we have hopes that you’ll be able to find and hear this record soon.
Here’s a link to their website and their My Space page
http://www.thisisthesecret.com and
http://www.myspace.com/thisisthesecret
They look a lot like this :
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I think You Tube is a lot of fun. I love going on there and seeing music performances I never thought I’d ever see. Having said that, I’ve been a professional songwriter and musician long enough to feel obligated in saying that they don’t pay royalties for usage. So, there I said it.
Here are links to MY one video that someone has posted as well as a tv appearance with The December Boys from 1986 or so.
Channeling The King
http://youtube.com/watch?v=vKkzB7Yd3wo
Nothing Comes Close
http://youtube.com/watch?v=A11_t6nb0eA
Nostalgic for that 80’s rockin’ country? There are also some old Foster and Lloyd videos on there too.
Fat Lady Sings
http://youtube.com/watch?v=aG6w72Q-dUE
What Do You Want From Me This Time
http://youtube.com/watch?v=pAGncA1BlQ8&mode=related&search=
Before The Heartache Rolls In
http://youtube.com/watch?v=OnKVBrLMSu8&mode=related&search=
Texas in 1880
http://youtube.com/watch?v=WEBgRF1hkDA&mode=related&search=
I recently got to play some guitar on Ray Davies new album that he’s been cutting here in Nashville. Ray Kennedy is producing. My buddy, Pat Buchanan, got the honors of doing most of the guitar work, but I was called in as a guest on one song and it was great fun and a real honor. I’ve recorded a couple of Ray’s songs before. I did “This Is Where I Belong” on my “Set To Pop” album in 1994. That track showed up on a Mojo sampler not long ago. Tommy Womack and I did a version of “Picture Book” on The Songs Of Ray Davies on the Praxis / Rykodisc label five or six years back as well. It was a great hang and the song I played on was truly wonderful. I’m a lifelong Kinks Kultist so I admit to my bias. Thank you, Ray, for the invitation.
My pal, Bill Davis, from legendary New Orleans stalwarts, Dash Rip Rock, invited me to do a short recitation on their latest album called “Hee Haw Hell”. This album is basically a cowpunk version of Dante’s Inferno. That won me over right there. It’s out now and find out for yourself.

In the midst of the load of benefits, songwriter shows and neighborhood bars where I still play here in town, I recently got to play a special songwriters night for The Climate Project.
What fun it was to play with old and dear friends like Beth Nielsen Chapman and Don Henry for Al Gore and a room full of environmentally conscious music fans! Here’s a group shot with The Man Who Shoulda’ Been President (sounds like a Hitchcock film..)

Besides all this I’m still working with The First Amendment Center and their Freedom Sings program. We’ve traveled a little over the last few months..from Lincoln, Nebraska to Fisk University here in Nashville. These programs are sporadic but still fulfilling. Mixing music with civics and American history, it’s all about the importance of Free Speech.
Since my time is so tied up with all of the above, I’ve not been working as diligently as I’d like to say I have towards the next solo record. I have compiled a few more CD-R compilations that I’ll soon put up on the CD-R page of various odd’s’n’ends from the home studio. I appreciate you folks who have delved into this with me. Thanks for the kind emails and for enjoying the out-takes and demos as much as the “real” records. There will be more on that next update.
One more thing.. I’ll be the special guest on Alan Haber’s radio show this coming Sunday afternoon. Here’s a link to his Pure Pop radio show with details
http://www.buhdge.com/pure_pop/pure_pop.htm
That’s about it for now. Much thanks for checking in and hope to see or hear from you soon
Best